The list for the upcoming edition also includes César and Academy Award nominated DoP Darius Khondji, and Hong Kong filmmaker Johnnie To Kei-Fung.
Read MoreClockwise from left: Walter Salles, Anna Terrazas, Darius Khondji and Lav Diaz
Clockwise from left: Walter Salles, Anna Terrazas, Darius Khondji and Lav Diaz
The list for the upcoming edition also includes César and Academy Award nominated DoP Darius Khondji, and Hong Kong filmmaker Johnnie To Kei-Fung.
Read MoreA still from ‘Aïcha’ by Mehdi Barsaoui, courtesy of The Party Film Sales
This year there are 12 Doha Film Institute supported films in the lineup on the Lido, plus the DFI is hosting a special afternoon and even a gala dinner celebrating their achievements in the world of cinema and art.
Read MoreA still from ‘Salted Skins’ by Nicolas Fattouh, courtesy of the DFI
It’s all in a week’s work for the Doha Film Institute, the greatest cinematic organization in the MENA region.
Read MoreA still from ‘The Girl with the Needle’, courtesy of the Festival de Cannes
There is a trick to this festival. If you stand still long enough in Cannes — something a bit difficult to do on a weekend as crowds are bustling all around you — you’ll run into everyone who is anyone in the film universe.
Read MorePoster by Takeshi Kitano, titled, appropriately by the Japanese actor, writer, comedian, painter and director “Takeshi”
And there are some must-watch films in there which cannot be missed.
Read MoreThe Qumra class of 2024, captured in the courtyard of the Museum of Islamic Art
And no, I’m not talking about the bustling Souq Waqif on the eve of Ramadan!
Read MoreFrom violence in cinema, to not watching films at all once you’ve made one, there were shocking and cool revelations at this year’s DFI industry meet, featuring filmmakers Jim Sheridan, Leos Carax and more.
Read MoreThe power of music is undeniable. And no one harnesses it better than French filmmaker Leos Carax, one of the Qumra Masters at this year’s DFI industry event.
Read MoreFatma Hassan Alremaihi at Qumra 2024, courtesy of the DFI
It is always great to be in Doha for their annual industry meetings, yet this time it feels extra crucial and important — as cinema is what I turn to in order to heal and help understand the world around me.
Read MoreA still from ‘The land was well past its zenith’ by Rita Mahfouz
Plus actress and producer Toni Colette, is confirmed as the sixth 2024 Master for the upcoming tenth anniversary edition of the industry incubator and the participating projects are announced.
Read MorePlus Atom Egoyan fresh from the Berlinale and Academy Award nominated sound designer Martín Hernández, all to give Masterclasses while in Qatar.
Read MoreMariëtte Rissenbeek and Carlo Chatrian announcing this year’s Competition & Encounters line up on Monday
While many of us may be concentrating on the awards announcements, the Berlin Film Festival reminds us where it all starts from, and why these worldwide events are so important. Dare I say, more than the awards…
Read MoreA still from ‘Mornings in Jenin’, a series project participating in this year’s Qumra event
For film insiders the Qumra event — held once a year in Doha, Qatar and bringing together industry experts and filmmakers from all over the world — was always a highly anticipated time to put on our calendars. But in the age of pandemic, where we need all the inspiration we can get to simply continue onward, Qumra has become a lifeline.
Read MoreA still from Iran’s submission to the Oscars, ‘Sun Children’ by Majid Majidi
I’ve long been a fan of everything that the Doha Film Institute has to offer. Their Qumra event is a phenomenal way to witness how filmmakers go about constructing their films, from pre-production to grants and securing funding to finish their projects. For a culture journalist, it’s a valuable way to experience, quite literally, how cinema is made.
But personally, the event that remains near and dear to my heart is always the Ajyal Film Festival.
Read MoreThere were films, fashion and public conversations with cinema celebrities. But beyond the red carpets, this year's Festa del cinema di Roma proved a meeting point for understanding the world around us, and sharing thoughts with like-minded people from faraway lands. Here is my personal diary of a wonderful event held in one of the most beautiful cities in the world.
Read MoreLa Pointe courte © 1994 Agnès Varda and her children - Montage and design : Flore Maquin
As I learned at this year’s Qumra, held by the Doha Film Institute, the grand dame of French New Wave cinema Agnès Varda was all about finding the stories, the viewpoints that no one else would bother with. The Festival de Cannes, in its poster just unveiled for the 72nd edition of the festival, pays homage to La Varda but also to her indomitable spirit by showing the filmmaker on her first cinematic venture perched high up on a platform, atop the shoulders of a crew technician. She’s is looking to capture that image, that viewpoint which no one else would have even thought about. She is Varda, in all her perfectly humble and adventurous attitude. The same Varda who asked me, to my utter disbelief, if I’d liked her “little film” a few years ago in Cannes.
Read MoreA still from Hamida Issa’s ‘Places of the Soul’
On my last day in Doha, I spend the afternoon wandering around the Souq Waqif which I learned from a local filmmaker, literally translates as “the stand up souk.” In the olden days, before Qatar turned into the international, cosmopolitan country it is today, the sea would come straight into the alleys of the souk so the merchants had to stand up and pick up their wares during the tides. Thus the name, and actually while I wandered around checking out the shops, having a shawl sewn from a traditional flower fabric by a local tailor while drinking a karak chai (cardamon infused milky tea) and eating a chapatti flat bread filled with zaatar, I felt like I was transported back to those early days of the pearl divers and their haunting songs of the sea.
Doha is special place. I’ll never get tired of saying it. And their annual Qumra event, organized by the Doha Film Institute is sheer cinematic magic. Qumra is a meeting place, a five-days long networking session, a place to pitch, secure financing and ensure a screening chance for film projects. But it is also an occasion to recharge our collective passion for the movies. For journalists, producers and of course filmmakers, the atmosphere at Qumra offers an almost electric energy, a jolt of renewed hope in the future of the 7th art.
Read MoreEugenio Caballero talks with Richard Peña during Qumra
When I look at the title of this piece, I feel overwhelmed myself. I mean, it would be pretty wonderful to just hear one of the these two men who are such Maestros in each of their professions give a Masterclass. But when you get them both, within 24 hours of each other, on a stage, talking to the equally wondrous Richard Peña, well, you have cinematic magic.
Or more precisely, what you have is the Doha Film Institute’s annual Qumra event.
Read MoreIt is obvious from the moment one steps on a Qatar Airways aircraft that cinema is important in Doha. I mean, just going through the entertainment system on my particular flight, I found ‘Rebecca’ by Hitchcock, Barry Jenkins’ hauntingly touching and all too true ‘If Beale Street Could Talk’, Paul Dano’s intimate portrayal of a family struggling to remain a single nucleus ‘Wildlife’ and even the 2019 Best Picture Oscar winner ‘Green Book’.
Qatar knows good cinema and nowhere is that better understood than in the welcoming arms of the Doha Film Institute.
Read MoreHanaa Issa with filmmaker Elia Suleiman at a DFI event
Ever since its creation in 2010 on the peninsular country of Qatar, the Doha Film Institute has been revolutionizing cinema in the Region. The word “revolution” is never a sign of good things in the Arab world and yet at DFI, they should welcome the term when it comes to describing the work they’ve been doing almost singlehandedly to create and foster a healthy cinema culture in the Arab world. And beyond.
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