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E. Nina Rothe

Film. Fashion. Life.
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The Diaries, because sometimes life needs more. 

Oscar-winning director Michel Hazanavicius at Ciné Lumière in London to present his latest

E. Nina Rothe March 28, 2025

‘The Most Precious of Cargoes’ is the French-born director’s foray into animation and features the narration of legendary actor Jean-Louis Trintignant in what would turn out to be his last role.

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In Cinema, Interviews Tags Michel Hazanavicius, The Most Precious of Cargoes, Cine Lumiere, Institut Français, London, Cannes Film Festival, Festival de Cannes, Jean-Louis Trintignant, Studiocanal, Patrick Sobelman, Studio Ghibli, Disney, Jean-Claude Grumberg, La plus précieuse des marchandises, The Artist, Oscars, BAFTA
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A still from ‘The Girl with the Needle’, courtesy of the Festival de Cannes

The Cannes Diaries: Magical interviews, chance meetings and beautiful films

E. Nina Rothe May 19, 2024

There is a trick to this festival. If you stand still long enough in Cannes — something a bit difficult to do on a weekend as crowds are bustling all around you — you’ll run into everyone who is anyone in the film universe.

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In Cinema, Festival, The Diaries Tags Alleno & Rivoire chocolate, festival de Cannes, Cannes Film Festival, The Cannes Diaries, RH Three, Golden Globes, The Girl with the Needle, Venice Film Festival, Croisette, KEFF, Locust, Taiwanese cinema, La Semaine de la Critique, Francis Ford Coppola, Megalopolis, Adam Driver, Giancarlo Esposito, Andrea Arnold, Bird, Barry Keoghan, Magnus van Horn, Vic Carmen Sonne, Trine Dyrholm, Un Certain Regard, Zambia, Rungano Nyoni, On Becoming a Guinea Fowl, Everybody Loves Touda, Nabil Ayouch, Doha Film Institute, Five Seas Hotel, DFI, Sebastian Sepulveda, Qumra, Elia Suleiman, Nina Rodriguez, Ali Khechen, Hanaa Issa, Fatma Hassan Al Remaihi, Cannes Premiere, Thierry Fremaux, Salle Debussy, Jean-Luc Godard, Rithy Panh, Rendez-Vous avec Pol Pot, Meeting with Pol Pot, Irene Jacob, Grégoire Colin, Leos Carax, C'est pas moi, Oscars, Academy Awards, Baby Annette, Annette, Denis Lavant, Bad Blood, Modern Love, David Bowie, Tom Hanks, Forrest Gump
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‘Rhapsody in August’ by Akira Kurosawa (1991)  © Shochiku Co., Ltd. / Kurosawa Prod. – Graphic design © Hartland Villa

Studio Ghibli, Kevin Costner, Baloji and other goodies to come at the Festival de Cannes

E. Nina Rothe April 19, 2024

Turns out there are lots of winning people and moments on this year’s Croisette, and that’s before the festival has even started. And finally, we have a poster for the 77th edition of the festival!

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In Cinema, Festival, The Diaries Tags Kevin Costner, Cannes Film Festival, Studio Ghibli, Baloji, Horizon An American Saga, Honorary Palme d'or, The Boy and the Heron, Oscars, Academy Awards, Toshio Suzuki, ‘Napoléon’ by Abel Gance, Cannes classics, Emmanuelle Beart, Omen, Camera d'Or, George Lucas, Star Wars, Indiana Jones, Sienna Miller, Dances with Wolves, Sam Worthington, Jena Malone, Hartland Villa, Akira Kurosawa, Rhapsody in Augus, Shochiku Co., Ltd. / Kurosawa Prod, Lionel Avignon, Stefan de Vivies, Peace, Nagasaki, USA, Yojimbo, Seven Samurai, Rashomon
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A historic first prize for Moroccan cinema, at this year's Marrakech Film Festival

E. Nina Rothe December 4, 2023

After all was said and done, there were no losers at this year’s Marrakech International Film Festival, where audiences got a free taste of great cinema and Moroccan films made history.

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In Cinema, Festival, The Diaries Tags Marrakech International Film Festival, FIFM, Moroccan cinema, The Mother of All Lies, Asmae El Moudir, Mads Mikkelson, Willem Dafoe, Faouzi Bensaïdi, Simon Baker, Anurag Kashyap, Viggo Morterson, Tilda Swinton, Andrey Zvyagintsev, Al Haouz, Cinema for Young Audiences, Banel & Adama, Excursion, Dormitory, Yurt, Doga Karakas, Ramata-Toulaye Sy, Asja Zara Lagumdzija, Jessica Chastain, Bye Bye Tiberias, Lina Soualem, Hiam Abbass, Dee Rees, Hounds, Kamal Lazraq, Palestine, Alexander Payne, The Holdovers, Sideways, Golden Globes, Academy Awards, Oscars
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Julianne Moore in ‘The Staggering Girl’ by Luca Guadagnino

Julianne Moore in ‘The Staggering Girl’ by Luca Guadagnino

The Cannes 2019 Diaries: Films that broke my heart and Luca Guadagnino's Valentino project

E. Nina Rothe May 18, 2019

There has been a certain je ne sais quoi in the air here in Cannes, and I wasn’t able to quite put my finger on it. It bothered me, someone always good at defining a moment, person or place, that I couldn’t put that feeling into words. Then I attended the press conference for Luca Guadagnino’s ‘The Staggering Girl’ and I had a ‘EUREKA!” moment. So bear with me for a moment while I get to that…

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In Cinema, Fashion, Festival, The Diaries Tags Luca Guadagnino, Valentino, Pier Paolo Piccioli, Pier Paolo Pasolini, Cannes Film Festival, Festival de cannes, Cannes, Venice Film Festival, Alberto Barbera, Oscars, Majestic hotel, Medea, The Staggering Girl, Marriott hotel, ryuichi sakamoto, Thrive Global, ICS, Litigante, Franco Lolli, Cancion Sin Nombre, Melina Leon, Doha Film Institute, The Unknown Saint, Alaa Eddine Aljem, Julianne Moore, Kyle MacLachlan, Marthe Keller Alba Rohrwacher, Dan Krauss, 5B, AIDS, Film, Fashion
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Eugenio Caballero talks with Richard Peña during Qumra

Eugenio Caballero talks with Richard Peña during Qumra

The Qumra Diaries: Eugenio Caballero and Pawel Pawlikowski share their filmmaking wisdom

E. Nina Rothe March 18, 2019

When I look at the title of this piece, I feel overwhelmed myself. I mean, it would be pretty wonderful to just hear one of the these two men who are such Maestros in each of their professions give a Masterclass. But when you get them both, within 24 hours of each other, on a stage, talking to the equally wondrous Richard Peña, well, you have cinematic magic.

Or more precisely, what you have is the Doha Film Institute’s annual Qumra event.

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In Cinema, Interviews, The Diaries Tags Pawel Pawlikowski, Eugenio Caballero, Qumra, Doha Film Institute, DFI, Doha, Qatar, Agnes Varda, Richard Pena, Oscars, Academy Awards, The Woman in the Fifth, Last Resort, Ida, Cold War, England, Russia, Poland, Mexico, Ethan Hawke, Kristin Scott Thomas, documentaries, Art direction, Jim Jarmusch, Pan's Labyrinth, Guillermo del Toro, A Monster Calls, Alfonso Cuaron, Roma, The Limits of Control, Tsunami, The Impossible, Museum of Islamic Art
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Hanaa Issa with filmmaker Elia Suleiman at a DFI event

Hanaa Issa with filmmaker Elia Suleiman at a DFI event

"This is the environment where films flourish": Talking Qumra 2019 with Hanaa Issa in Berlin

E. Nina Rothe February 11, 2019

Ever since its creation in 2010 on the peninsular country of Qatar, the Doha Film Institute has been revolutionizing cinema in the Region. The word “revolution” is never a sign of good things in the Arab world and yet at DFI, they should welcome the term when it comes to describing the work they’ve been doing almost singlehandedly to create and foster a healthy cinema culture in the Arab world. And beyond.

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In Cinema, Interviews, The Diaries Tags Qumra, Doha Film Institute, Hanaa Issa, Doha, Qatar, Arab cinema, Gulf cinema, Eugenio Caballero, Cannes Film Festival, Alice Rohrwacher, Agnes Varda, Kiyoshi Kurosawa, Pawel Pawlikowski, Cold War, Lazzaro Felice, Roma, Berlin, The Ritz Carlton, Hamida Issa, Places of the Soul, Antartica, Sheikha Mayassa, Fatma Al Remaihi, Nadine Labaki, Capernaum, Oscars, Academy Awards, Rithy Panh, Too Late to Die Young, The Load, Inida, Indian Rose
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Bennett Miller conducts a masterclass during Qumra 2018

Bennett Miller conducts a masterclass during Qumra 2018

The Qumra Dairies: Wisdom from a Master with Bennett Miller

E. Nina Rothe March 13, 2018

When Oscar-nominated American filmmaker Bennett Miller sat down to give his masterclass during this year's Qumra in Doha, he immediately apologized for his voice. "It doesn't hurt, it just sounds bad," he admitted, about the husky sound that appeared to be a really bad case of laryngitis. Maybe they could stop a bit early, said his moderator, who instead then actually proceeded to go overtime with the talk. 

Living on the edge, this idea that the masterclass could be cut short by Miller's loss of voice altogether actually added an extra layer of urgency to everything that the talented, kind, thoughtful and wonderfully candid filmmaker had to say.

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In Cinema, The Diaries Tags Qumra, Bennett Miller, Doha Film Institute, Brad Pitt, Philip Seymour Hoffman, USA, Hollywood, Oscar nominated, Academy Awards, Oscars, The Cruise, Timothy Levitch, LA Indie Film Festival, Capote, Moneyball, Stanley Kubrick, Alfred Hitchcock, Foxcatcher
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Gianfranco Rosi gave a Masterclass at this year's Qumra

Gianfranco Rosi gave a Masterclass at this year's Qumra

The Qumra Diaries: Wisdom from the Masters with Tilda Swinton and Gianfranco Rosi

E. Nina Rothe March 12, 2018

The greatness of Qumra, the annual industry event held by the Doha Film Institute to help connect, inspire and encourage filmmakers, lies in its diversity of activities. From the daily working breakfasts with some of the most well-respected festival directors and programmers, sales agents and producers to the Masterclasses with cinema greats, from its Qumra Talks to the networking sessions held each afternoon just around the corner from my hotel, there is a buzz of activity at any given moment and even a non-filmmaker like me can feel the excitement of great cinema in the making. 

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In Cinema, The Diaries Tags Qumra, Doha Film Institute, Doha, Okja, Tilda Swinton, Cameron Bailey, TIFF, Gianfranco Rosi, acting, filmmaking, industry, Richard Pena, masterclasses, documentaries, Oscar-nominated, Fire at Sea, Fuocoammare, art, Oscars, Academy Awards, Charles Bowden, Venice Film Festival, Sacro GRA, Boatman, Benares, India, California, Below Sea Level, El Sicario room 164
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Tilda Swinton photographed by Brigitte Lacombe

Tilda Swinton photographed by Brigitte Lacombe

Iconic Masters and golden projects featured at this year's Qumra in Doha

E. Nina Rothe March 5, 2018

Qatar is the couture state of the Arab world. They watched and learned from the mistakes of all the other Gulf countries that were declared as states before them, and then Qatar set about to reinvent how we view culture, fashion, art and film. You can't watch an award ceremony these days without the presence for the Doha Film Institute in the credits of at least one of the films nominated, the Museum Authority of the peninsular state has assembled and created, and is set to unveil more beauty than my eyes can hold -- just a visit to the Islamic Art Museum will confirm my words -- and of course, the Emir's family owns some of the fashion world's most beloved brands. 

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In Cinema, The Diaries Tags Qatar, Doha, Doha Film Institute, Okja, Masters, filmmakers, Brigitte Lacombe, Tilda Swinton, Gulf countries, Arab world, Islamic Art Museum, Qumra, Gianfranco Rosi, E. Nina Rothe, feature narrative, documentaries, Berlinale, Golden Bear, Fuocoammare, Fire at Sea, Oscars, Apichatpong Weerasethakul, Thai, Thailand, Cannes Film Festival, Uncle Boonmee Who Can Recall His Past Lives, Palme d'Or, Leviathan, Loveless, Russia, Golden Globes, Andrey Zvyagintsev, Sandy Powell OBE, The Young Victoria, Shakespeare in Love, The Aviator, Bennett Miller, Capote, Philip Seymour Hoffman, Truman Capote, Elia Suleiman, Hanaa Issa, DFI
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Valeria Golino and Alba Rohrwacher in Laura Bispuri's 'Daughter of Mine'© Vivo film / Colorado Film / Match Factory Productions / Bord Cadre Films

Valeria Golino and Alba Rohrwacher in Laura Bispuri's 'Daughter of Mine'

© Vivo film / Colorado Film / Match Factory Productions / Bord Cadre Films

The Berlinale Diaries: Elia Suleiman talks Qumra plus Laura Bispuri's 'Daughter of Mine'

E. Nina Rothe February 19, 2018

From the fabulous women of 'Daughter of Mine' to a wondrous man, my early Sunday morning at Berlinale was spent in the company of Elia Suleiman, the Palestinian filmmaker extraordinaire and Artistic Advisor of the Doha Film Institute. 

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In Cinema, Festival, The Diaries Tags Doha Film Institute, Qumra, Daughter of Mine, Figlia Mia, Valeria Golino, Alba Rohrwacher, Laura Bispuri, Berlinale, Berlin, Berlin Film Festival, Hanna Issa, Elia Suleiman, Mohamed Ben Attia, Palestine, Amal Al-Muftah, Sh'hab, Basil Khalil, Ave Maria, Dora Bouchoucha, Weldi, Gianfranco Rosi, Cannes, Oscars, Sandy Powell, Bennett Miller, Apichatpong Weerasethakul, Andrey Zvyagintsev, Sara Casu, Italian cinema, Arab cinema, Qatar, Doha
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5a461ae61c00003c0068daff.jpg

Following the Dubai International Film Festival, Where Does Arabwood Go Now?

E. Nina Rothe February 6, 2018

“Are you ready for us to make history again?!”

As I stepped into one of the magnificent Majlis — literally translating as a “place of sitting” from the Arabic — a meeting room inside the Madinat Jumeirah complex to catch up with the Chairman of the Dubai International Film Festival, Abdulhamid Juma uttered those words. I was taken aback for a moment and then I remembered that throughout the six years I’ve attended DIFF, I’ve sat down with him and together, we’ve come up with some of best questions about Arab cinema, its place in the world and its importance in dispelling stereotypes and breaking down walls. 

This year, I came to DIFF with a heavy heart and I leave it still wondering if all the efforts — personal and collective have been worth it. We’ve witnessed how easily the mighty of the film stratosphere can be taken down in Hollywood when no longer of use to their business partners, destroying careers that should be looked at with respect, regardless of these men’s questionable behavior. We seem to have forgotten that “the casting couch” is a term as old as the movies themselves. Now we just “throw out the baby with the bathwater” as the old saying goes...

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In Cinema, Festival, Interviews, The Diaries Tags DIFF17, Dubai International Film Festival, Dubai, Arabwood, Abdulhamid Juma, Arab cinema, Cate Blanchett, Sofia Coppola, Greta Gerwig, Wajib, Annemarie Jacir, Mohammad Bakri, HH Sheikh Mansoor bin Mohammed bin Rashid Al Maktoum, Muhr Awards, Palestine, Elia Suleiman, Hany Abu Assad, President Obama, Sanjay Leela Bhansali, Oscars, Saudi Arabia, Haifaa Al Mansour, IWC Filmmaker Award, Saad Hariri, Masoud Amralla Al Ali, Shivani Pandya, women filmmakers, women film journalist, Dubai Film Market, women journalists
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