Also included in the extensive line up of projects participating in the upcoming industry incubator organized by the Doha Film Institute is the follow up by Algerian helmers Damien Ounouri and Adila Bendimerad to their award winning epic ‘The Last Queen’, as well as Suzannah Mirghani’s highly anticipated feature debut ‘Cotton Queen’.
Read MoreFatma Hassan Alremaihi and Her Excellency Lolwah bint Rashid Al Khater surrounded by some of the Ajyal jurors
The Doha Ajyal Diaries: Opening night with a twist and the joy of unorthodox film choices
A documentary about the students’ movement in Sudan opened this year’s DFI Ajyal film festival. And the unusual, yet super welcomed refreshing choices didn’t stop there.
Read MoreA still from ‘Sudan, Remember Us’ by Hind Meddeb, courtesy of the DFI
Ajyal 2024: Festival will kick off with 'Sudan, Remember Us' and will present a focus on Voices from Palestine
With the theme of the 2024 edition of Ajyal Film Festival presented by the Doha Film Institute announced as ‘Moments That Matter’, the event will also see the participation of Palestinian stars Hiam Abbas, Saleh and Mohammad Bakri, along with beloved Egyptian actor Khaled El Nabawy, Turkish TV star Esra Bilgic and Sudanese musician Mustafa the Poet.
Read MoreA still from ‘Salted Skins’ by Nicolas Fattouh, courtesy of the DFI
The Cannes Diaries: Doha Dreaming with multiple DFI projects in the Cannes Official line up & Spring 2024 upcoming grants
It’s all in a week’s work for the Doha Film Institute, the greatest cinematic organization in the MENA region.
Read MoreThe Qumra class of 2024, captured in the courtyard of the Museum of Islamic Art
The Qumra Diaries: the good, the bad and the overcrowded
And no, I’m not talking about the bustling Souq Waqif on the eve of Ramadan!
Read MoreThe Qumra Diaries: Lessons from the Masters
From violence in cinema, to not watching films at all once you’ve made one, there were shocking and cool revelations at this year’s DFI industry meet, featuring filmmakers Jim Sheridan, Leos Carax and more.
Read MoreThe Qumra Diaries, on inspiration: rediscovering the soundtrack of 'Annette' in Doha
The power of music is undeniable. And no one harnesses it better than French filmmaker Leos Carax, one of the Qumra Masters at this year’s DFI industry event.
Read MoreFatma Hassan Alremaihi at Qumra 2024, courtesy of the DFI
The Qumra Diaries: I've landed in a place of inspiration
It is always great to be in Doha for their annual industry meetings, yet this time it feels extra crucial and important — as cinema is what I turn to in order to heal and help understand the world around me.
Read MoreJim Sheridan, Leos Carax, Claire Denis and more at Qumra for this year's DFI industry meet up
Plus Atom Egoyan fresh from the Berlinale and Academy Award nominated sound designer Martín Hernández, all to give Masterclasses while in Qatar.
Read MoreA still from ‘Disco Afrika: A Malagasy Story’, courtesy of the filmmaker
Doha Film Institute Awards announces new grant recipients -- 44 diverse projects from 32 countries
The highly anticipated announcement confirms the DFI’s commitment as the region’s longest-serving film development initiative, as the Institute has supported more than 800 films from 74 countries to date.
Read MoreA still from ‘Mornings in Jenin’, a series project participating in this year’s Qumra event
The Doha Film Institute's Qumra 2021 goes global with its virtual edition
For film insiders the Qumra event — held once a year in Doha, Qatar and bringing together industry experts and filmmakers from all over the world — was always a highly anticipated time to put on our calendars. But in the age of pandemic, where we need all the inspiration we can get to simply continue onward, Qumra has become a lifeline.
Read MoreKatara Opera House on the opening night of Ajyal Film Festival in Doha, Qatar
Doha's Ajyal Film Festival Opening Night: We may be socially distanced but our cinematic hearts beat as one!
This year, the Doha Film Institute has managed to put together a hybrid online and in person (for Qatari residents only) version of its annual Ajyal Film Festival dedicated to young audience and there was even a red carpet last night and an opening ceremony. I’m sharing the video of the latter below.
Read MoreA still from Iran’s submission to the Oscars, ‘Sun Children’ by Majid Majidi
Doha's Ajyal Film Festival: Erasing some of the common borders of the Middle East, for a youth centric audience
I’ve long been a fan of everything that the Doha Film Institute has to offer. Their Qumra event is a phenomenal way to witness how filmmakers go about constructing their films, from pre-production to grants and securing funding to finish their projects. For a culture journalist, it’s a valuable way to experience, quite literally, how cinema is made.
But personally, the event that remains near and dear to my heart is always the Ajyal Film Festival.
Read MoreFatma Al Remaihi, CEO of the Doha Film Institute, flanked by the managing team of the Ajyal Film Festival
Doha's Ajyal Film Festival aims to make educated audiences out of today's youth
I believe wholeheartedly that we are what we watch. It’s been my mission to find works of art on the big screen — and on the little one now through Netflix and the likes — that will make life better. I mean, we can all remember that moment, as children, walking out of a theater having watched our favorite character or cartoon on the big screen and feeling an extra bounce in our step. I still experience that these days, whenever I watch something really special. I walk out of the darkened theater into the light of day — as a film writer most of my viewings are done during the day — feeling like anything is possible.
So when the Doha Film Institute kicked off their Ajyal Film Festival in 2014, I went to Qatar to experience the wonder first hand. It was everything I hoped it would be, children and young adults as juries, films that although made for all ages, could really infuse younger minds with a message of peace and hope. You know, an idealist film writer’s dream come true.
Read MoreA still from ‘Femmetasia’ by Mouhssine El Badaoui
Five projects from this year's Qumra I simply cannot wait to watch
The yearly, five days long Qumra event in Qatar, held by the Doha Film Institute each March is that rare occasion for those of us who write about cinema to connect with the filmmakers, producers, film programmers, sales agents and festival directors who make the magic happen. Don’t misunderstand me now, I think film journalists and bloggers are equally to praise or blame for great movies being made. Our collective word, the reviews and interviews we manage to sell to publications or feature on our blogs, can create a movement that reverberates around the world. I know colleagues who pride themselves on making or breaking someone’s career. It’s not nice, but it is true. Take the case of Gianfranco Rosi’s ‘Below Sea Level’ and the infamous Variety review that ensured the film never made it to a cinema near you — a fact the filmmaker mentioned in his Masterclass at last year’s Qumra.
That said, in Doha there is a great energy created by the powers that be of the DFI, which allows journalists to relate to the film projects in such a personal way that it’s impossible thereafter to dislike it or even ignore it.
Read MoreA still from Hamida Issa’s ‘Places of the Soul’
The Qumra Diaries: Souq Waqif, "from desert to desert", Alice Rohrwacher and Kiyoshi Kurosawa
On my last day in Doha, I spend the afternoon wandering around the Souq Waqif which I learned from a local filmmaker, literally translates as “the stand up souk.” In the olden days, before Qatar turned into the international, cosmopolitan country it is today, the sea would come straight into the alleys of the souk so the merchants had to stand up and pick up their wares during the tides. Thus the name, and actually while I wandered around checking out the shops, having a shawl sewn from a traditional flower fabric by a local tailor while drinking a karak chai (cardamon infused milky tea) and eating a chapatti flat bread filled with zaatar, I felt like I was transported back to those early days of the pearl divers and their haunting songs of the sea.
Doha is special place. I’ll never get tired of saying it. And their annual Qumra event, organized by the Doha Film Institute is sheer cinematic magic. Qumra is a meeting place, a five-days long networking session, a place to pitch, secure financing and ensure a screening chance for film projects. But it is also an occasion to recharge our collective passion for the movies. For journalists, producers and of course filmmakers, the atmosphere at Qumra offers an almost electric energy, a jolt of renewed hope in the future of the 7th art.
Read MoreEugenio Caballero talks with Richard Peña during Qumra
The Qumra Diaries: Eugenio Caballero and Pawel Pawlikowski share their filmmaking wisdom
When I look at the title of this piece, I feel overwhelmed myself. I mean, it would be pretty wonderful to just hear one of the these two men who are such Maestros in each of their professions give a Masterclass. But when you get them both, within 24 hours of each other, on a stage, talking to the equally wondrous Richard Peña, well, you have cinematic magic.
Or more precisely, what you have is the Doha Film Institute’s annual Qumra event.
Read MoreThe Qumra Diaries: Discovering Agnès Varda in the land of cinema
It is obvious from the moment one steps on a Qatar Airways aircraft that cinema is important in Doha. I mean, just going through the entertainment system on my particular flight, I found ‘Rebecca’ by Hitchcock, Barry Jenkins’ hauntingly touching and all too true ‘If Beale Street Could Talk’, Paul Dano’s intimate portrayal of a family struggling to remain a single nucleus ‘Wildlife’ and even the 2019 Best Picture Oscar winner ‘Green Book’.
Qatar knows good cinema and nowhere is that better understood than in the welcoming arms of the Doha Film Institute.
Read MoreHanaa Issa with filmmaker Elia Suleiman at a DFI event
"This is the environment where films flourish": Talking Qumra 2019 with Hanaa Issa in Berlin
Ever since its creation in 2010 on the peninsular country of Qatar, the Doha Film Institute has been revolutionizing cinema in the Region. The word “revolution” is never a sign of good things in the Arab world and yet at DFI, they should welcome the term when it comes to describing the work they’ve been doing almost singlehandedly to create and foster a healthy cinema culture in the Arab world. And beyond.
Read MoreThe Locarno Diaries: Women power, Courage with a capital "C" and a healthy dose of great cinema
As I flew over to Milan to reach Locarno then by car over the Alps, I watched 'The Gospel According to André' on the plane -- the documentary about the grand fashion figure that is André Leon Talley. It was a perfect way to dive into the Locarno Festival since Talley's life has been all about courage and bold choices and this year's film festival is channeling that spirit exactly.
Also, as a woman I find solace at an event that kicks off with a press release announcing their commitment to sign the Programming Pledge for Parity and Inclusion in Cinema Festivals for parity and equality in the industry. Locarno will be the first festival after Cannes to commit to this pledge. So on August 5th at 9.45 a.m. Marco Solari, Locarno Festival President and Carla Speziali, Locarno Festival Vice President, will gather at the Spazio Forum to publicly and officially sign the initiative by SWAN, the Swiss Women’s Audiovisual Network, a sister movement to the French 5050x2020 campaign that took place on the steps of the Palais this May 2018 during the Cannes Film Festival.
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