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E. Nina Rothe

Film. Fashion. Life.
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The Diaries, because sometimes life needs more. 

The Qumra class of 2024, captured in the courtyard of the Museum of Islamic Art

The Qumra Diaries: the good, the bad and the overcrowded

E. Nina Rothe March 8, 2024

And no, I’m not talking about the bustling Souq Waqif on the eve of Ramadan!

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In Cinema, Festival, The Diaries Tags Qumra, Doha Film Institute, Qatar, Doha, Souq Waqif, Qatar Airways, Museum of Islamic Art, Damasca, Fiko, Msheireb Downtown Doha, National Museum of Qatar, Alain Ducasse Jiwan, Qatari cuisine, Desert Rose, Profiles Doha, Intaj 2023 exhibition, Youssef Chahine, Mohamed Malas, Kaouther Ben Hania, Soudade Kaadan, Ramadan, Mohammad malas
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Fatma Hassan Alremaihi at Qumra 2024, courtesy of the DFI

The Qumra Diaries: I've landed in a place of inspiration

E. Nina Rothe March 1, 2024

It is always great to be in Doha for their annual industry meetings, yet this time it feels extra crucial and important — as cinema is what I turn to in order to heal and help understand the world around me.

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In The Diaries, Cinema Tags Toni Colette, Qumra, Doha Film Institute, Elia Suleiman, Museum of Islamic Art, Msheireb, Qatar, Fatma Hassan Alremaihi, Hanaa Issa, Oliver Jeffers, Begin Again, The Heart of It, Palestine, Israel
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A still from Hamida Issa’s ‘Places of the Soul’

A still from Hamida Issa’s ‘Places of the Soul’

The Qumra Diaries: Souq Waqif, "from desert to desert", Alice Rohrwacher and Kiyoshi Kurosawa

E. Nina Rothe March 22, 2019

On my last day in Doha, I spend the afternoon wandering around the Souq Waqif which I learned from a local filmmaker, literally translates as “the stand up souk.” In the olden days, before Qatar turned into the international, cosmopolitan country it is today, the sea would come straight into the alleys of the souk so the merchants had to stand up and pick up their wares during the tides. Thus the name, and actually while I wandered around checking out the shops, having a shawl sewn from a traditional flower fabric by a local tailor while drinking a karak chai (cardamon infused milky tea) and eating a chapatti flat bread filled with zaatar, I felt like I was transported back to those early days of the pearl divers and their haunting songs of the sea.

Doha is special place. I’ll never get tired of saying it. And their annual Qumra event, organized by the Doha Film Institute is sheer cinematic magic. Qumra is a meeting place, a five-days long networking session, a place to pitch, secure financing and ensure a screening chance for film projects. But it is also an occasion to recharge our collective passion for the movies. For journalists, producers and of course filmmakers, the atmosphere at Qumra offers an almost electric energy, a jolt of renewed hope in the future of the 7th art.

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In Cinema, Interviews, The Diaries Tags Alice Rohrwacher, Kiyoshi Kurosawa, Qumra, Qumra 19, Souq Waqif, Doha, Qatar, Museum of Islamic Art, Qumra working breakfast, Getty Images, Netflix, Japanese cinema, Italian cinema, masterclasses, Agnes Varda, Eugenio Caballero, Pawel Pawlikowski, Elia Suleiman, Hamida Issa, Places of the Soul, Antartica, Arabian desert, Gulf cinema, Saudi Arabia, H.E. Sheikha Mayassa Al-Thani, Fatma Al Remaihi, Hanaa Issa, DFI, Doha Film Institute, Cannes
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Eugenio Caballero talks with Richard Peña during Qumra

Eugenio Caballero talks with Richard Peña during Qumra

The Qumra Diaries: Eugenio Caballero and Pawel Pawlikowski share their filmmaking wisdom

E. Nina Rothe March 18, 2019

When I look at the title of this piece, I feel overwhelmed myself. I mean, it would be pretty wonderful to just hear one of the these two men who are such Maestros in each of their professions give a Masterclass. But when you get them both, within 24 hours of each other, on a stage, talking to the equally wondrous Richard Peña, well, you have cinematic magic.

Or more precisely, what you have is the Doha Film Institute’s annual Qumra event.

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In Cinema, Interviews, The Diaries Tags Pawel Pawlikowski, Eugenio Caballero, Qumra, Doha Film Institute, DFI, Doha, Qatar, Agnes Varda, Richard Pena, Oscars, Academy Awards, The Woman in the Fifth, Last Resort, Ida, Cold War, England, Russia, Poland, Mexico, Ethan Hawke, Kristin Scott Thomas, documentaries, Art direction, Jim Jarmusch, Pan's Labyrinth, Guillermo del Toro, A Monster Calls, Alfonso Cuaron, Roma, The Limits of Control, Tsunami, The Impossible, Museum of Islamic Art
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Tilda Swinton and Cameron Bailey

Tilda Swinton and Cameron Bailey

The Qumra Diaries: Tilda Swinton, the Museum of Islamic Art and to Doha, with love

E. Nina Rothe March 10, 2018

From the moment I boarded the Qatar Airways plane in Fiumicino, I realized I was being transported somewhere special. I also knew my journey, as both a film writer and a human being, would be a life changing one.

To begin with, the airline offers Karak chai -- a milky tea infused with cardamom or saffron to taste -- and a choice of films that included 'Murder on the Orient Express', the new version by Kenneth Branagh. Not what I would have gone to the movies to watch it but at 30 thousand feet, flying over lands and bodies of water I'll probably never set foot on or swim through, cup of fragrant tea in hand one's taste adjusts. And I even found myself crying through some of Branagh's Hercule Poirot moments. 

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In Cinema, The Diaries Tags Qumra, Doha Film Institute, Doha, Qatar, Qatar Airways, Museum of Islamic Art, Souq Waqif, cinema, Arab Cinema, Murder on the Orient Express, Kenneth Branagh, karak chai, Hercule Poirot, tea, date festival, I. M. Pei, Qatari Film Fund, TIFF, Toronto International Film Festival, Cameron Bailey, Elia Suleiman, Apichatpong Weerasethakul, Gianfranco Rosi, Fatma Al Remaihi, Oscar's best dressed list, Jio MAMI, Mumbai Film Festival, Smriti Kiran, masterclasses
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