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E. Nina Rothe

Film. Fashion. Life.
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The Diaries, because sometimes life needs more. 

A still from ‘Femmetasia’ by Mouhssine El Badaoui

A still from ‘Femmetasia’ by Mouhssine El Badaoui

Five projects from this year's Qumra I simply cannot wait to watch

E. Nina Rothe March 31, 2019

The yearly, five days long Qumra event in Qatar, held by the Doha Film Institute each March is that rare occasion for those of us who write about cinema to connect with the filmmakers, producers, film programmers, sales agents and festival directors who make the magic happen. Don’t misunderstand me now, I think film journalists and bloggers are equally to praise or blame for great movies being made. Our collective word, the reviews and interviews we manage to sell to publications or feature on our blogs, can create a movement that reverberates around the world. I know colleagues who pride themselves on making or breaking someone’s career. It’s not nice, but it is true. Take the case of Gianfranco Rosi’s ‘Below Sea Level’ and the infamous Variety review that ensured the film never made it to a cinema near you — a fact the filmmaker mentioned in his Masterclass at last year’s Qumra.

That said, in Doha there is a great energy created by the powers that be of the DFI, which allows journalists to relate to the film projects in such a personal way that it’s impossible thereafter to dislike it or even ignore it.

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In Cinema, The Diaries Tags Bombay Rose, Gitanjali Rao, Doha Film Institute, Qumra 2019, Doha, Qatar, DFI, Khuzama, A.J. Al-Thani, documentary, narrative feature, animated feature, Afghanistan, Iran, Hasan Noori, Afsaneh Salari, Taliban, The Forbidden Strings, Places of the Soul, Hamida Issa, Antartica, desert, iceberg, NY Times, NYC, Femmetasia, Mouhssine el Badaoui, Fantasia, Morocco, horses, masterclasses, Arianna Huffington
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A still from Hamida Issa’s ‘Places of the Soul’

A still from Hamida Issa’s ‘Places of the Soul’

The Qumra Diaries: Souq Waqif, "from desert to desert", Alice Rohrwacher and Kiyoshi Kurosawa

E. Nina Rothe March 22, 2019

On my last day in Doha, I spend the afternoon wandering around the Souq Waqif which I learned from a local filmmaker, literally translates as “the stand up souk.” In the olden days, before Qatar turned into the international, cosmopolitan country it is today, the sea would come straight into the alleys of the souk so the merchants had to stand up and pick up their wares during the tides. Thus the name, and actually while I wandered around checking out the shops, having a shawl sewn from a traditional flower fabric by a local tailor while drinking a karak chai (cardamon infused milky tea) and eating a chapatti flat bread filled with zaatar, I felt like I was transported back to those early days of the pearl divers and their haunting songs of the sea.

Doha is special place. I’ll never get tired of saying it. And their annual Qumra event, organized by the Doha Film Institute is sheer cinematic magic. Qumra is a meeting place, a five-days long networking session, a place to pitch, secure financing and ensure a screening chance for film projects. But it is also an occasion to recharge our collective passion for the movies. For journalists, producers and of course filmmakers, the atmosphere at Qumra offers an almost electric energy, a jolt of renewed hope in the future of the 7th art.

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In Cinema, Interviews, The Diaries Tags Alice Rohrwacher, Kiyoshi Kurosawa, Qumra, Qumra 19, Souq Waqif, Doha, Qatar, Museum of Islamic Art, Qumra working breakfast, Getty Images, Netflix, Japanese cinema, Italian cinema, masterclasses, Agnes Varda, Eugenio Caballero, Pawel Pawlikowski, Elia Suleiman, Hamida Issa, Places of the Soul, Antartica, Arabian desert, Gulf cinema, Saudi Arabia, H.E. Sheikha Mayassa Al-Thani, Fatma Al Remaihi, Hanaa Issa, DFI, Doha Film Institute, Cannes
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Apichatpong Weerasethakul talks to Richard Peña during a Qumra MasterclassPhoto courtesy of the Doha Film Institute

Apichatpong Weerasethakul talks to Richard Peña during a Qumra Masterclass

Photo courtesy of the Doha Film Institute

The Qumra Diaries: Wisdom from the Masters with Apichatpong Weerasethakul and Andrey Zvyagintsev

E. Nina Rothe March 16, 2018

The great thing about an event like Qumra, the yearly industry meet-up organized by the Doha Film Institute to inspire and connect filmmakers with the world of cinema business, is that one gets to discover wonderful gems. And not only the up and coming filmmakers whose projects were featured in this fourth edition, some of which are definitely heading to Cannes! I also had the leisure to rediscover Russian filmmaker Andrey Zvyagintsev (‘Leviathan’ and ‘Loveless’ among others) and hear his insight during one of the six masterclasses, and actually uncover ApichatpongWeerasethakul, watch his dreamy work for the first time. And what a wonder that was! As Italian Maestro Gianfranco Rosi admitted to me later, I also remained enchanted by Weerasethakul’s ‘Emerald’ a dreamy look at a rundown motel, featuring flying particles and voiceovers, which I’m still working through and thinking about quite a few days later.

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In Cinema, The Diaries Tags Andrey Zvyagintsev, Apichatpong Weerasethakul, Qumra, Doha Film Institute, Russia, Thailand, cinema, Lav Diaz, Richard Pena, masterclasses, Steven Spielberg, Cannes Film Festival, Festival de Cannes, Palme d'Or, Uncle Boonmee Who Can Recall His Past Lives, Leviathan, Loveless, Gianfranco Rosi, Emerald, International Film Festival Rotterdam, Sleep cinema hotel, Bero Beyer, dreams, Elena, Golden Globe winner, Oscar-nominated, Boatman, Killdozer, Colorado
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Gianfranco Rosi gave a Masterclass at this year's Qumra

Gianfranco Rosi gave a Masterclass at this year's Qumra

The Qumra Diaries: Wisdom from the Masters with Tilda Swinton and Gianfranco Rosi

E. Nina Rothe March 12, 2018

The greatness of Qumra, the annual industry event held by the Doha Film Institute to help connect, inspire and encourage filmmakers, lies in its diversity of activities. From the daily working breakfasts with some of the most well-respected festival directors and programmers, sales agents and producers to the Masterclasses with cinema greats, from its Qumra Talks to the networking sessions held each afternoon just around the corner from my hotel, there is a buzz of activity at any given moment and even a non-filmmaker like me can feel the excitement of great cinema in the making. 

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In Cinema, The Diaries Tags Qumra, Doha Film Institute, Doha, Okja, Tilda Swinton, Cameron Bailey, TIFF, Gianfranco Rosi, acting, filmmaking, industry, Richard Pena, masterclasses, documentaries, Oscar-nominated, Fire at Sea, Fuocoammare, art, Oscars, Academy Awards, Charles Bowden, Venice Film Festival, Sacro GRA, Boatman, Benares, India, California, Below Sea Level, El Sicario room 164
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Tilda Swinton and Cameron Bailey

Tilda Swinton and Cameron Bailey

The Qumra Diaries: Tilda Swinton, the Museum of Islamic Art and to Doha, with love

E. Nina Rothe March 10, 2018

From the moment I boarded the Qatar Airways plane in Fiumicino, I realized I was being transported somewhere special. I also knew my journey, as both a film writer and a human being, would be a life changing one.

To begin with, the airline offers Karak chai -- a milky tea infused with cardamom or saffron to taste -- and a choice of films that included 'Murder on the Orient Express', the new version by Kenneth Branagh. Not what I would have gone to the movies to watch it but at 30 thousand feet, flying over lands and bodies of water I'll probably never set foot on or swim through, cup of fragrant tea in hand one's taste adjusts. And I even found myself crying through some of Branagh's Hercule Poirot moments. 

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In Cinema, The Diaries Tags Qumra, Doha Film Institute, Doha, Qatar, Qatar Airways, Museum of Islamic Art, Souq Waqif, cinema, Arab Cinema, Murder on the Orient Express, Kenneth Branagh, karak chai, Hercule Poirot, tea, date festival, I. M. Pei, Qatari Film Fund, TIFF, Toronto International Film Festival, Cameron Bailey, Elia Suleiman, Apichatpong Weerasethakul, Gianfranco Rosi, Fatma Al Remaihi, Oscar's best dressed list, Jio MAMI, Mumbai Film Festival, Smriti Kiran, masterclasses
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