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E. Nina Rothe

Film. Fashion. Life.
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The Diaries, because sometimes life needs more. 

A still from ‘Salted Skins’ by Nicolas Fattouh, courtesy of the DFI

The Cannes Diaries: Doha Dreaming with multiple DFI projects in the Cannes Official line up & Spring 2024 upcoming grants

E. Nina Rothe May 23, 2024

It’s all in a week’s work for the Doha Film Institute, the greatest cinematic organization in the MENA region.

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In Cinema, The Diaries, Festival Tags Doha Film Institute, Qatar, DFI, H.E. Sheikha Al-Mayassa bint Hamad bin Khalifa Al-Thani, Rendez-vous avec Pol Pot, Rithy Panh, Cambodia, Qumra, Iréne Jacob, Grégoire Colin, Cyril Gueï, Cannes Film Festival, Critics' Week, The Brink of Dreams, Nada Riyadh and Ayman El Amir, KEFF, Locust, Taiwan, Morocco, Across the Sea, Saïd Hamich Benlarbi, Egypt, East of Noon, Hala Elkoussy, Mahdi Fleifel, To a Land Unknown, Erige Sehiri, Marie and Jolie, Joyce A. Nashawati, Sound of Silence, Venice Film Festival, Ameer Fakher Eldin, Yunan, Elia Suleiman, MENA region, Hanaa Issa, Fatma Hassan Alremaihi, Al-Dana, Nora Al-Subai, Running With Beasts, Leila Basma, Lebanon, Syria, The Settlement, Mohamed Rashad, Nomadish, Yassine Marco Marroccu, Agora, Ala Eddine Slim, Żejtune, Malta, Alex Camilleri, The Botanist, china, Jing Yi, Another Birth, Tajikistan, Isabelle Kalandar, Horizon, Colombia, César Augusto Acevedo, Tale of the Land, Indonesia, Loeloe Hendra, The Fin, South Korea, Syeyoung Park, Flying Elephants, Mona Khaouli, Munir Khauli, Just Like a Dream, Corine Shawi, Beirut, Road Trip, Linda Qibaa, Speak Image, Speak, Palestine, Pary El-Qalqili, Flower of the Sands, Jaouad Babili, Climbing the Mountains, Algeria, Sabrina Chebbi, She Was Not Alone, Iraq, Saudi Arabia, Hussein Al-Asadi, Those Who Watch Over, Karima Saidi, Ground Zero, collective shorts project, Moondove, Karim Kassem, Cutting Through Rocks, Iran, Sara Khaki and Mohammad Reza Eyni, Requiem for a Tribe, Marjan Khosravi, Badr on the Moon, Jordan, Aisha Al-Jaidah and Kholoud Al Ali, Film, TV Series, Web series, Last Words, Antoine Waked, Palmyra, Carol Mezher and Gabriela Flores, Rent-a-Mama, Dania Bdeir, New York, The Dry Kingdom, Dana J. Atrach, Echoes, Marie-Rose Osta, El'Sardines, Zoulikha Tahar, Before the Day Breaks, Amal Al-Muftah, If Only, Ali Al Anssari, Little Man, Hajri Gachouch, Salted Skins, Nicolas Fattouh, The Heaviness of Absence, Zizou, Jalal Maghout, Khaled Moeit, Maha Al-Thani, Eman, Please Pause, Lulwa Al-Thani, The Star, Ingrid El Zoghby, Another Day Shall Come, Aida Kaadan
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A still from ‘The Girl with the Needle’, courtesy of the Festival de Cannes

The Cannes Diaries: Magical interviews, chance meetings and beautiful films

E. Nina Rothe May 19, 2024

There is a trick to this festival. If you stand still long enough in Cannes — something a bit difficult to do on a weekend as crowds are bustling all around you — you’ll run into everyone who is anyone in the film universe.

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In Cinema, Festival, The Diaries Tags Alleno & Rivoire chocolate, festival de Cannes, Cannes Film Festival, The Cannes Diaries, RH Three, Golden Globes, The Girl with the Needle, Venice Film Festival, Croisette, KEFF, Locust, Taiwanese cinema, La Semaine de la Critique, Francis Ford Coppola, Megalopolis, Adam Driver, Giancarlo Esposito, Andrea Arnold, Bird, Barry Keoghan, Magnus van Horn, Vic Carmen Sonne, Trine Dyrholm, Un Certain Regard, Zambia, Rungano Nyoni, On Becoming a Guinea Fowl, Everybody Loves Touda, Nabil Ayouch, Doha Film Institute, Five Seas Hotel, DFI, Sebastian Sepulveda, Qumra, Elia Suleiman, Nina Rodriguez, Ali Khechen, Hanaa Issa, Fatma Hassan Al Remaihi, Cannes Premiere, Thierry Fremaux, Salle Debussy, Jean-Luc Godard, Rithy Panh, Rendez-Vous avec Pol Pot, Meeting with Pol Pot, Irene Jacob, Grégoire Colin, Leos Carax, C'est pas moi, Oscars, Academy Awards, Baby Annette, Annette, Denis Lavant, Bad Blood, Modern Love, David Bowie, Tom Hanks, Forrest Gump
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Poster by Takeshi Kitano, titled, appropriately by the Japanese actor, writer, comedian, painter and director “Takeshi”

Cannes' Quinzaine and Semaine announce line ups

E. Nina Rothe April 18, 2024

And there are some must-watch films in there which cannot be missed.

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In Cinema, Festival, The Diaries Tags Directors' Fortnight, Critics' Week, Cannes, Festival de Cannes, Takeshi Kitano, This Life of Mine, Agnes Jaoui, Sophie Fillières, Christmas Eve In Miller’s Point, Michael Cera, Elsie Fisher, Maria Dizzia, Francesca Scorsese, Ben Shenkman, Gregg Turkington, Sawyer Spielberg, Tyler Taormina, India Donaldson, Good One, Universal Language (Une Langue Universelle), Matthew Rankin, Tehran, Mahdi Fleifel, To a Land Unknown, Hala Elkoussy, East of Noon (Sharq 12), Locust, KEFF, Qumra, Doha Film Institute, Saïd Hamich Benlarbi, La mer au loin (Across the Sea), Adam Bessa, Ghose Trail, Jonathan Millet
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A still from ‘The land was well past its zenith’ by Rita Mahfouz

"We have to set our minds on how to create pockets of hope": Elia Suleiman on holding DFI's Qumra in these challenging times

E. Nina Rothe February 17, 2024

Plus actress and producer Toni Colette, is confirmed as the sixth 2024 Master for the upcoming tenth anniversary edition of the industry incubator and the participating projects are announced.

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In Cinema, Interviews, The Diaries Tags DFI, Doha Film Institute, Qumra, Elia Suleiman, Hanaa Issa, Alaa Eddine Aljem, Eldorado, The Taste of the South, To Leave or To Stay, Azedine Kasri, Mohammad Alchikho, Nora Al-Subai, Ahmad Saleh, Aisha Can’t Fly Away, Morad Mostafa, Roqia, Yanis Koussim, Across the Sea, Said Hamich Benlarbi, Aïcha, Mehdi Barsaoui, Ma, The Maw Naing, Perfumed with Mint, Muhammed Hamdy, Celebration, Bruno Anković, Locust, KEFF, House No 7, Rama Abdi, Hend Bakr, Dilpak Mated, Soufiane Adel, Lana Daher, Najba Nouri and Rasul Nouri, Ana Naomi de Sousa, Naseem, Fight With Grace, Mohammed Almughanni, Mayar Hamdan and Shaima Al Tamimi, The Myth of Mahmoud, Rawia Alhaq, Anas Saeed, Timmea Ahmed, Ibrahim Ahmad (Snoopy), Aurélia Makdessi, Niemeyer 4 Ever, Mehdi Hmili
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A still from ‘Disco Afrika: A Malagasy Story’, courtesy of the filmmaker

Doha Film Institute Awards announces new grant recipients -- 44 diverse projects from 32 countries

E. Nina Rothe January 22, 2024

The highly anticipated announcement confirms the DFI’s commitment as the region’s longest-serving film development initiative, as the Institute has supported more than 800 films from 74 countries to date.

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In Cinema, The Diaries Tags Disco Africa, Doha Film Institute, Grant recipients, Qatar, film projects, Zaid Abu Hamdan, Fatma Hassan Alremaihi, Soufiane Adel, Hend Bakr, Rama Abdi, Dilpak Majeed, Miss R, Mr. S, Mr. Mr. T, Safia Kessas, Aurélia Makdessi, Oscar Niemeyer, Bassam Mortada, Hind Meddeb, Jamal Al Khanji and David Ochoais, Karim Sayad, Mohamed Jabarah Al Daradji, Son of Babylon, Elene Mikaberidze, Ana Naomi De Sousa, Najiba Noori, Maxime Lindon, Min Min Hein, Hamida Issa, Ihab Jadallah, Salem Brahimi, Ahmad Saleh, Alaa Eddine Aljem, Feyrouz Serhal, Hasan Hadi, Rani Massalha, Mohammad Shaikhow, Sarra Abidi, Ali Al-Fatlawi, Bruno Anković, Mamadou Dia, Luck Razanajaona, KEFF, Min Bahadur Bham, Samia Dzaïr, Maryam Mir, Arwa Aburawa and Turab Shah, Malek Hebiri, Nada Bedair, Ibrahim Albuainain, Majid Al-Remaihi, Fatima Ahmad Abuhaliqa, Rita Mahfouz, Wiame Haddad, And then they burn the sea, Locarno film Festival, Oscar-qualifying
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