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E. Nina Rothe

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The Diaries, because sometimes life needs more. 

A still from Abderrahmane Sissako’s ‘Black Tea’ which enjoys its UK premiere at the festival

Film Africa 2024 is coming to London to celebrate the best of cinema from the continent

E. Nina Rothe October 23, 2024

The festival, presented by The Royal African Society, will run from 25 October to 3 November during the UK’s celebration of Black History Month and will showcase the best of African cinema in Europe.

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In Cinema, Art, Festival, The Diaries Tags Film Africa, Dahomey, The Mother of All Lies, Everybody Loves Touda, London, Africa, Morocco, Marrakech International Film Festival, Black History Month UK, Mati Diop, Berlinale, Black Tea, Abderrahmane Sissako, Nina Melo, Chang Han, Sir John Akomfrah, Ciné Lumière, Damien Hauser, After the Long Rains, Electricer Kache Hamisi, Kenya, Rungano Nyoni, On Becoming a Guinea Fowl, Cannes Film Festival, Susan Chardy, Un Certain Regard winner, Nisrin Erradi, Asmae El Moudir, Mandabi, Chronicle of the Years of Fire, Martin Scorsese, Ousmane Sembène, Mohammed Lakhdar-Hamina, Timité Bassori, The Knife Woman (La Femme Au Couteau), Film Lab Africa, Nigeria, Film Africa LIVE!, Brixton, Rolling Stone Africa, Lady Buckit and the Motley Mopsters, Adebisi Adetayo, Nigerian animation
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BFI London Film Festival announces Competition line up for upcoming edition

E. Nina Rothe August 30, 2024

And the titles include ‘The Extraordinary Miss Flower’ by Iain Forsyth & Jane Pollard, ‘On Becoming a Guinea Fowl’ by Rungano Nyoni and Georgian film ‘April’, produced by Luca Guadagnino.

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In Cinema, Festival, The Diaries Tags BFI London Film Festival, The Extraordinary Miss Flower, Iain Forsyth & Jane Pollard, On Becoming a Guinea Fowl, Rungano Nyoni, April, Luca Guadagnino, Official Competition announcement, Zambia, Japan, Geraldine Flower, Nick Cave, Emilíana Torrini, Angus Sampson, Dea Kulumbegashvili, Memoirs of a Snail, Adam Elliot, Australia, Annecy Film Festival, Under the Volcano, Ukraine, Damian Cokur, Vermiglio, Maura Delpero, The Wolves Always Come at Night, Gabrielle Brady, Living in Two Worlds, Mipo O, Laila Abbas, Thank You for Banking with Us, Christopher Andrews, Bring Them Down, Barry Keoghan, Christopher Abbot, Four Mothers, Darren Thornton, Gianni Di Gregorio, Mid-August Lunch
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Cannes Film Festival awards include top prizes for Sean Baker's 'Anora' and Guan Hu's 'Black Dog' in Un Certain Regard

E. Nina Rothe May 26, 2024

Many women-directed gems were snubbed, in favor of a story about a sex worker written and directed by a male filmmaker.

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In Cinema, Festival, The Diaries Tags Hanif Kureishi, Cannes Film Festival, festival de Cannes, Sean Baker, Anora, Guan Hu, Black Dog, awards, Venice Film Festival, Francis Ford Coppola, Megalopolis, Karim Aïnouz, Motel Destino, Agathe Riedinger, Wild Diamond, Magnus van Horn, The Girl with the Needle, Camera d'Or, Rungano Nyoni, Un Certain Regard, Roberto Minervini, The Damned, All We Imagine as Light, Payal Kapadia, Emilia Perez, Jacques Audiard, MIguel Gomes, Grand Tour, Mohammad Rasoulof, The Seed of the Sacred Fig, Jesse Plemons, Kinds of Kindness, Yorgos Lanthimos, Adriana Paz, Zoe Saldaña, Karla Sofia Gascon, Selena Gomez, The Substance, Coralie Fargeat, The Man Who Could Not Remain Silent, Nebojša Slijepčević, Bad for a Moment, Daniel Soares, L'Histoire de Souleymane, Boris Lojkine, Anasuya Sengupta, The Shameless, Abou Sangaré, On Becoming a Guinea Fowl, Holy Cow, Louise Courvoisier, Norah, Tawfik Alzaidi, Armand, Halfdan Ullmann Tøndel, Mongrel, Wei Liang Chiang & You Qiao Yin, Sunflowers Were the First Ones to Know..., Chidananda S Naik, Out the Window Through the Wall, Asya Segalovich, The Chaos She Left Behind, Nikos Kolioukos, Bunnyhood, Mansi Maheshwari, CST Artist-Technician prize, Daria d'Antonio, Paolo Sorrentino, Parthenope, CST Young technician Prize, Evgenia Alexandrova, Noémie Merlant, The Balconettes
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A still from ‘The Girl with the Needle’, courtesy of the Festival de Cannes

The Cannes Diaries: Magical interviews, chance meetings and beautiful films

E. Nina Rothe May 19, 2024

There is a trick to this festival. If you stand still long enough in Cannes — something a bit difficult to do on a weekend as crowds are bustling all around you — you’ll run into everyone who is anyone in the film universe.

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In Cinema, Festival, The Diaries Tags Alleno & Rivoire chocolate, festival de Cannes, Cannes Film Festival, The Cannes Diaries, RH Three, Golden Globes, The Girl with the Needle, Venice Film Festival, Croisette, KEFF, Locust, Taiwanese cinema, La Semaine de la Critique, Francis Ford Coppola, Megalopolis, Adam Driver, Giancarlo Esposito, Andrea Arnold, Bird, Barry Keoghan, Magnus van Horn, Vic Carmen Sonne, Trine Dyrholm, Un Certain Regard, Zambia, Rungano Nyoni, On Becoming a Guinea Fowl, Everybody Loves Touda, Nabil Ayouch, Doha Film Institute, Five Seas Hotel, DFI, Sebastian Sepulveda, Qumra, Elia Suleiman, Nina Rodriguez, Ali Khechen, Hanaa Issa, Fatma Hassan Al Remaihi, Cannes Premiere, Thierry Fremaux, Salle Debussy, Jean-Luc Godard, Rithy Panh, Rendez-Vous avec Pol Pot, Meeting with Pol Pot, Irene Jacob, Grégoire Colin, Leos Carax, C'est pas moi, Oscars, Academy Awards, Baby Annette, Annette, Denis Lavant, Bad Blood, Modern Love, David Bowie, Tom Hanks, Forrest Gump
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