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E. Nina Rothe

Film. Fashion. Life.
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Favorite movies only need apply. Life is too short to write about what I didn't enjoy. 

DFI's 2024 Fall Grants announcement includes projects by Youssef Chebbi, Sofia Alaoui, Mehdi Hmili and Anas Khalaf

E. Nina Rothe January 30, 2025

As well as a feature doc by Iraqi actress and filmmaker Zahraa Ghandour, a web series by Palestinian storyteller Amer Shomali, Damien Ounouri’s and Adila Bendimerad’s follow up to festival fave ‘The Last Queen’, and shorts by Qatari talents Mahdi Ali Ali and Majid Al-Remaihi.

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In Film, Features Tags Doha Film Institute, DFI, Grants Fall 2024, Youssef Chebbi, Sofia Alaoui, Mehdi Hmili, Anas Khalaf, Zahraa Ghandour, Amer Shomali, Damien Ounouri, Adila Bendimerad, Mahdi Ali Ali, Majid Al-Remaihi, Qumra, lgeria, Belgium, Denmark, Egypt, France, Iran, Iraq, Lebanon, Lesotho, Mexico, Morocco, Palestine, Spain, Tunisia, Fatma Hassan Alremaihi, Asmae El Moudir, The Mother of All Lies, Oscars, Bye Bye Tiberias, Lina Soualem, Amara, Michelle Keserwany, Camera Obscura, Viola Shafik, Rock Paper Sea, Randa Ali, The Good Spirit, Razan Madhoon, Gaza, In Memory of Times to Come, Larissa Sansour, Love-45, Minkaf, S.M. Al Thani, Plague, Selfless, Meriem Mesraoua, Tarfaya, The Joyful 1926, The Pearl, Noor Al-Nasr, Exile, Songs of Adam, Oday Rasheed, Spring Came On Laughing, Noha Adel, And Still I Rise, Djanis Bouzyani, Life After Siham, Namir Abdel, The Sixth Story, Ahmed Abd, Mother of Silence, My Armenian Phantoms, Tamara Stepanyan, Souraya Mon Amour, Nicolas Khoury, Souraya Baghdadi, Women of Sin, Noufissa Chara, Karima Nadir, Kir Mama, Kif Baba, B.A.H.R Alphabet, Sabine El Chamaa, A Lover’s Manifesto, Alfred Tarasi, Burden, Mohammed D. Fakhro, Amal Al Mutfah, Mohamed Megdoul, Valentin Noujaim, Youssef Michraf, Anissa Daoud, Maryam Al-Mohammed, Ethel Elmalik, Yassine Wahrani, Fahd Al-Nahdi, Obada Jarbi, Natural State, Men Home La Hon, Marie-Louise Elia, Julien Kobersy, Jean-Claude Boulos, Nadine, Christophe Saber, Druze, Visions of the After: Dark Cedar, Ali Hamouch, The Walled Off Hotel, Sleepless City, Guillermo Garcia Lopez, The Reserve, Pablo Pérez Lombardini, Fatna a Woman Named Rachid, Hélène Harder, Once Upon a Time in Shiraz, Hamed Zolfaghari, The Last Shore, Jean-François Ravagnan, Ancestral Visions of the Future, Lemohang Jeremiah Moses
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A still from the film, courtesy of © Tanit Films, Midi La Nuit, Instinct Bleu

Meryam Joobeur on Berlinale Competition title 'Who Do I Belong To' and the injustice of visas

E. Nina Rothe March 10, 2024

The feature debut by the Oscar-nominated Tunisian-Canadian filmmaker is a cinematic painting, an ode to her ‘Brotherhood’ stars who were not given a visa to travel to the Berlinale. An injustice that seemed to go unnoticed in the midst of all the festival drama.

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In Features, Film, Film Festivals, Interviews Tags Meryam Joobeur, Berlinale, Who Do I Belong To, visas, immigration, Tunisia, Canada, Oscar-nominated, Doha, Qumra, Nadim Cheikhrouha, Marrakech, Atlas Workshops, Malek Mechergui, Rayen Mechergui, Chaker Mechergui, Brotherhood, Vincent Gonneville, Motherhood, Islamophobia, Salha Nasraoui, Mohamed Hassine Grayaa
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Awards hopefuls, indie gems and streaming must-watches: My BFI London Film Fest wish list

E. Nina Rothe September 28, 2023

There is just so much good stuff screening at this year’s London Film Festival — from a documentary about a nearly-cancelled forever fashion icon, to a film featuring Austin Butler and Michael Shannon as bikers, to MENA gems, Oscars and Golden Globes hopefuls and indie treasures. So buckle your seat belts, it’s going to be a bumpy fortnight.

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In Film, Film Festivals, Features Tags BFI London Film Festival, The Bikeriders, London, Austin Butler, May December, Golden Globes, Oscars, WGA, Michael Shannon, Saltburn, The Killer, Bye Bye Tiberias, Goodbye Julia, Sudan, Palestine, Barry Keoghan, Richard E. Grant, Carey Mulligan, Jacob Elordi, Rosamund Pike, Emerald Fennell, Michael Fassbender, David Fincher, High and Love, Kevin Macdonald, John Galliano, docs, Sky Peals, Faraz Ayub, Moin Hussain, Stolen, Karan Tejpal, Maestro, NYAD, Todd Haynes, Natalie Portman, Julianne Moore, Jodie Foster, Annette Bening, Four Daughters, Kaouther Ben Hania, Tunisia
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Hédi Jouini and Ninette in 1946

Hédi Jouini and Ninette in 1946

A chat with Claire Belhassine about 'The Man Behind the Microphone' as the film prepares to screen at Manarat in Tunisia

E. Nina Rothe July 7, 2018

English-born filmmaker Claire Belhassine didn't know, for most of her young life, that her grandfather was Hédi Jouini, who is recognized as the Godfather of Tunisian music and the “Tunisian Frank Sinatra.” She spent summers in the company of her Tunisian extended family, yet they never talked of his historic past — and this is a man who was even featured on a Tunisian postage stamp! Until, one day in the back of a Paris taxi, she learned that her grandfather Hédi was a superstar.

So how is that possible, you may be thinking right about now? Well, I won't give the details of Belhassine's spellbinding and utterly pleasant to watch documentary away, but I will tell you that the filmmaker takes us on a personal journey with her, accompanied by Jouini's music and her own soothing narrative. 

This coming week, 'The Man Behind the Microphone' premieres in Tunis at the Manarat Film Festival of the Mediterranean in Tunisia, a passion project by another wondrous woman, producer Dora Bouchoucha. The film originally world premiered at the Dubai International Film Festival where I watched it and it was probably the most interactive film there, complete with an impromptu concert on the beach by some of Belhassine's talented family. 

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In Film, Interviews Tags The Man Behind the Microphone, Claire Belhassine, Hedi Jouini, Tunisia, Tunis, Manarat Film Festival, Dora Bouchoucha, Dubai International Film Festival, Paris, London, Frederic Mitterand, music
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Mariam Al Ferjani in a still from Kaouther Ben Hania's 'Beauty and the Dogs'

Mariam Al Ferjani in a still from Kaouther Ben Hania's 'Beauty and the Dogs'

Forget Wonder Woman - I Found My Heroine Within ‘Beauty and the Dogs’ in Cannes!

E. Nina Rothe March 17, 2018

Films featuring strong women are what I crave. But I won’t buy that typical Hollywood fare, which sells the perfect package of a buff heroine dressed in a shiny costume doing stunts as the perfect woman’s film. Nope. I need a real-life wonder woman to fulfill my cravings.

In Tunisian filmmaker Kaouther Ben Hania’s latest ‘Beauty and the Dogs’, which world premiered at the Festival de Cannes in their Un Certain Regard section, I found her.

Within the role of Mariam (played to absolute perfection by first-time actress Mariam Al Ferjani), your typical run of the mill modern university girl wanting to have fun on a night out at a club event we learn she helped to organize, I discovered a heroine that transcends the Arab world — Mariam’s story takes place in Tunisia — and jumped off the screen straight into my subconscious. And remained there, juggling with my thoughts, until now.

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In Film, Interviews Tags Beauty and the Dogs, Cannes Film Festival, Festival de Cannes, rape, Hollywood heroines, Wonder Woman, Kaouther Ben Hania, Un Certain Regard, Mariam Al Ferjani, Tunisia, HuffPost, Arab world, Qumra, Doha Film Institute, DFI, Doha, Oscilloscope Laboratories, Ghanem Zrelli
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