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E. Nina Rothe

Film. Fashion. Life.
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Favorite movies only need apply. Life is too short to write about what I didn't enjoy. 

A still from ‘Cotton Queen’ by Suzannah Mirghani, which will screen in Critics’ Week in Venice

Doha Film Institute Venice-bound films include the stunning 'Cotton Queen' by Suzannah Mirghani and Kaouther Ben Hania's Competition title 'The Voice of Hind Rajab'

E. Nina Rothe August 14, 2025

Other titles supported by the respected Qatari cinematic organization include Jihan K’s personal doc on the disappearance of her father during the Qaddafi regime, Cyril Aris’ ‘A Sad and Beautiful World’ starring Mounia Akl, which will be screening in the Official Selection and Giornate degli Autori lineups, respectively, along with Sofia Alaoui’s sci-fi fable ‘Tarfaya’ which participates in the Venice Production Bridge.

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In Features, Film, Film Festivals Tags Doha Film Institute, Venice International Film Festival, La Biennale di Venezia, Qatar, Fatma Hassan Alremaihi, Cheikh N’Diaye, The Missing Camel, Tarfaya, Sofia Alaoui, Sound of Silence, Morocco, Joyce A. Nashawati, Venice Production Bridge, The Station/Al Mahatta, Yemen, Lebanon, Sara Ishaq, Mariam Al-Dhubhani, Final Cut in Venice, Yanis Koussim, Critics’ Week, Settimana della Critica, Roqia, Cotton Queen, Lana Daher, Do You Love Me, Cyril Aris, Giornate degli Autori, A Sad and Beautiful World, Memory, Chechen, Vladlena Sandu, My Father and Qaddafi, Lybia, Libya, USA, Suzannah Mirghani, The Voice of Hind Rajab, Kaouther Ben Hani, Competition, MENA region, Mounia Akl
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DFI's 2024 Fall Grants announcement includes projects by Youssef Chebbi, Sofia Alaoui, Mehdi Hmili and Anas Khalaf

E. Nina Rothe January 30, 2025

As well as a feature doc by Iraqi actress and filmmaker Zahraa Ghandour, a web series by Palestinian storyteller Amer Shomali, Damien Ounouri’s and Adila Bendimerad’s follow up to festival fave ‘The Last Queen’, and shorts by Qatari talents Mahdi Ali Ali and Majid Al-Remaihi.

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In Film, Features Tags Doha Film Institute, DFI, Grants Fall 2024, Youssef Chebbi, Sofia Alaoui, Mehdi Hmili, Anas Khalaf, Zahraa Ghandour, Amer Shomali, Damien Ounouri, Adila Bendimerad, Mahdi Ali Ali, Majid Al-Remaihi, Qumra, lgeria, Belgium, Denmark, Egypt, France, Iran, Iraq, Lebanon, Lesotho, Mexico, Morocco, Palestine, Spain, Tunisia, Fatma Hassan Alremaihi, Asmae El Moudir, The Mother of All Lies, Oscars, Bye Bye Tiberias, Lina Soualem, Amara, Michelle Keserwany, Camera Obscura, Viola Shafik, Rock Paper Sea, Randa Ali, The Good Spirit, Razan Madhoon, Gaza, In Memory of Times to Come, Larissa Sansour, Love-45, Minkaf, S.M. Al Thani, Plague, Selfless, Meriem Mesraoua, Tarfaya, The Joyful 1926, The Pearl, Noor Al-Nasr, Exile, Songs of Adam, Oday Rasheed, Spring Came On Laughing, Noha Adel, And Still I Rise, Djanis Bouzyani, Life After Siham, Namir Abdel, The Sixth Story, Ahmed Abd, Mother of Silence, My Armenian Phantoms, Tamara Stepanyan, Souraya Mon Amour, Nicolas Khoury, Souraya Baghdadi, Women of Sin, Noufissa Chara, Karima Nadir, Kir Mama, Kif Baba, B.A.H.R Alphabet, Sabine El Chamaa, A Lover’s Manifesto, Alfred Tarasi, Burden, Mohammed D. Fakhro, Amal Al Mutfah, Mohamed Megdoul, Valentin Noujaim, Youssef Michraf, Anissa Daoud, Maryam Al-Mohammed, Ethel Elmalik, Yassine Wahrani, Fahd Al-Nahdi, Obada Jarbi, Natural State, Men Home La Hon, Marie-Louise Elia, Julien Kobersy, Jean-Claude Boulos, Nadine, Christophe Saber, Druze, Visions of the After: Dark Cedar, Ali Hamouch, The Walled Off Hotel, Sleepless City, Guillermo Garcia Lopez, The Reserve, Pablo Pérez Lombardini, Fatna a Woman Named Rachid, Hélène Harder, Once Upon a Time in Shiraz, Hamed Zolfaghari, The Last Shore, Jean-François Ravagnan, Ancestral Visions of the Future, Lemohang Jeremiah Moses
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A still from ‘Yalla Parkour!’ by Areeb Zuaiter

There are eight DFI-supported titles in this year's Berlinale lineup

E. Nina Rothe January 23, 2025

And at least one in each section too, including Competition and the new Perspectives for first time features.

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In Film, Film Festivals, Features Tags Berlinale, DFI, Doha Film Institute, Palestine, Competition, Critics' Week, Forum Expanded, Generation Kplus, Berlinale Special, Perspectives, Critics Week, Fatma Hassan Alremaihi, Yunan, Ameer Fakher Eldin, Syria, Ukraine, Hanna Schygulla, Ancestral Visions of the Future, Lemohang Jeremiah Mosese, Lesotho, Mohamed Rashad, The Settlement, Egypt, My Armenian Phantoms, Armenia, Tamara Stepanyan, Vigen Stepanyan, The Botanist, China, Jing Yi, Kazakhstan, Xinjiang, Yalla Parkour!, Areeb Zuaiter, Khartoum, Sudan, Anas Saeed, Rawia Alhag, Ibrahim Snoopy, Timeea Mohamed Ahmed, Phil Cox, East of Noon, Hala Elkoussi, JJ Lin (Jianjie Lin), Hippopotami, Sundance, Cannes Film Festival
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A still from ‘Brief History of a Family’ by Jianjie Lin

Seven DFI supported films to screen at this year's Berlinale

E. Nina Rothe February 7, 2024

They include two projects ‘In Competition’, three in ‘Panorama’, one each in the ‘Encounters’ and ‘Generation’ sections.

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In Film, Film Festivals Tags Doha Film Institute, DFI, Doha, Qatar, Ajyal Film Festival, Qumra, Berlinale, Berlin, Fatma Hassan Alremaihi, Luck Razanajaona, Disco Afrika: A Malagasy Story, Demba, Mamadou Dia, Nelson Makengo, Rising Up at Night, documentaries, feature narrative, Panorama, Encounters, Myriam El Hajj, Diaries from Lebanon, Lebanon, Senegal, Madagascar, Democratic Republic of Congo, Shambala, Nepal, Min Bahadur Bham, Who Do I Belong To, Meryam Joobeur, Brief History of a Family, Jianjie “JJ” Lin, Sundance
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'Bye Bye Tiberias' review: A personal tribute to a global cause

E. Nina Rothe September 13, 2023

Lina Soualem’s touchingly personal documentary should be required viewing for anyone who wants to understand the Palestinian struggle, and the true emotional toll of an entire people’s displacement.

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In Film, review Tags Bye Bye Tiberias, Venice International Film Festival, Giornate degli Autori, review, Lina Soualem, documentary, family, Palestine, Amine Bouhafa, TIFF, Zinedine Soualem, Their Algeria, Deir Hanna, Nadine Naous, Gladys Joujou, Jean-Marie Nizan, Ossama Bawardi, Guillame Malandrin, Doha Film Institute, Qumra, Lightdox
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Five indie films to watch at this year's Venice Film Festival

E. Nina Rothe August 30, 2023

It may be a Netflix world and we’re just living in it, as the streaming giant is hot on the Lido this year with Bradley Cooper’s ‘Maestro’, Pablo Larrain’s vampire dictator romp and Wes Anderson’s latest — but there are a couple of indie titles that you need to watch.

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In Film, Film Festivals Tags Bye Bye Tiberias, Hiam Abbass, The Featherweight, Palestine, Giornate degli Autori, Stolen, Karan Tejpal, Hitchcock, Anurag Kashyap, Backstage, Sidi Larbi Cherkaoui, Saleh Bakri, Afef Ben Mahmoud, Khalil Benkirane, Doha Film Institute, Pet Shop Days, Olmo Schnabel, Robert Kolodny, Orizzonti, Venice International Film Festival, James Madio, Appian Way Productions, Leonardo Di Caprio
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Actress Lyna Khoudri in a still from 'Papicha' by Mounia Meddour

Actress Lyna Khoudri in a still from 'Papicha' by Mounia Meddour

“Redefine what a heroine is”: Algerian filmmaker Mounia Meddour on her film ‘Papicha’ in Cannes

E. Nina Rothe May 29, 2020

I believe that if there were more women film critics, the business of cinema would be much different. There would be better films made, more communication between what audiences want and filmmakers create, and those projects which portray the truth of our humanity would receive the attention they deserve. 'Papicha' by Mounia Meddour would be one of those projects. Now let me explain what I mean.

‘Papicha’ is now streaming as part of the Virtual Cinema of Film at Lincoln Center, through June 4th. An act of courage if you read my piece!

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In Film Festivals, Film, Interviews Tags Papicha, Mounia Meddour, Algerian cinema, Arab cinema, Festival de Cannes, Thrive Global, Un Certain Regard, film, women filmmakers, Lyna Khoudri, Qumra, Doha Film Institute, Film at Lincoln Center, streaming
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Mariam Al Ferjani in a still from Kaouther Ben Hania's 'Beauty and the Dogs'

Mariam Al Ferjani in a still from Kaouther Ben Hania's 'Beauty and the Dogs'

Forget Wonder Woman - I Found My Heroine Within ‘Beauty and the Dogs’ in Cannes!

E. Nina Rothe March 17, 2018

Films featuring strong women are what I crave. But I won’t buy that typical Hollywood fare, which sells the perfect package of a buff heroine dressed in a shiny costume doing stunts as the perfect woman’s film. Nope. I need a real-life wonder woman to fulfill my cravings.

In Tunisian filmmaker Kaouther Ben Hania’s latest ‘Beauty and the Dogs’, which world premiered at the Festival de Cannes in their Un Certain Regard section, I found her.

Within the role of Mariam (played to absolute perfection by first-time actress Mariam Al Ferjani), your typical run of the mill modern university girl wanting to have fun on a night out at a club event we learn she helped to organize, I discovered a heroine that transcends the Arab world — Mariam’s story takes place in Tunisia — and jumped off the screen straight into my subconscious. And remained there, juggling with my thoughts, until now.

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In Film, Interviews Tags Beauty and the Dogs, Cannes Film Festival, Festival de Cannes, rape, Hollywood heroines, Wonder Woman, Kaouther Ben Hania, Un Certain Regard, Mariam Al Ferjani, Tunisia, HuffPost, Arab world, Qumra, Doha Film Institute, DFI, Doha, Oscilloscope Laboratories, Ghanem Zrelli
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