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E. Nina Rothe

Film. Fashion. Life.
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The Diaries, because sometimes life needs more. 

'Barbie' and 'Oppenheimer' garner highest number of Golden Globes nominations

E. Nina Rothe December 11, 2023

With ‘Killers of the Flower Moon’ and ‘Poor Things’ tying for third place.

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In Cinema, The Diaries Tags Golden Globes nominations, Barbie, Oppenheimer, Rustin, Io Capitano, Matteo Garrone, Lenny Kravitz, Maestro, Bradley Cooper, Netflix, May December, Air, Matt Damon, Ben Affleck, Greta Gerwig, Christopher Nolan, Margot Robbie, Ryan Gosling, Killers of the Flower Moon, Poor Things, Martin Scorsese, Leonardo Di Caprio, Yorgos Lanthimos
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Marrakech Film Festival to open with Richard Linklater’s 'Hit Man'

E. Nina Rothe November 2, 2023

Plus, the official film selection is announced for the highly anticipated 20th edition of the festival which will take place from November 24th to December 2nd.

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In Cinema, Festival, The Diaries Tags Marrakech International Film Festival, Hit Man, Mads Mikkelson, Jemaa El Fna, Isabelle Huppert, Io Capitano, Matteo Garrone, Alexander Payme, Simon Baker, Jessica Chastain, Richard Linklater
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Vincent Lacoste and Isaure Multrier in 'Amanda' by Mikhaël Hers

Vincent Lacoste and Isaure Multrier in 'Amanda' by Mikhaël Hers

The Venice Diaries: Stacy Martin and Vincent Lacoste redefine family in Mikhaël Hers' 'Amanda'

E. Nina Rothe September 6, 2018

I'm a sucker for a great love story. But often, the films that hit me deepest aren't filled with happily ever after endings and the perfect romance between a handsome boy and a beautiful girl. It's the redefinition of true love that gets me to my core.

In Mikhaël Hers' latest 'Amanda' which premiered in the Orizzonti section at this year's Venice Film Festival, the filmmaker reworks the idea of family and in the process, also rewrites the perfect romance. Of course Hers' film is not missing out on a handsome boy -- the charming Vincent Lacoste breaks hearts as David -- and a pretty girl -- with the striking Stacy Martin playing his love interest Léna. But at the center of 'Amanda' is the title character, a little girl played beautifully by Isaure Multrier, a child who suddenly goes from being an occasional playmate in the life of her somewhat immature uncle David, to being entrusted to him permanently. 

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In Cinema, Festival, Interviews, The Diaries Tags Amanda, Mikhaël Hers, Vincent Lacoste, Stacy Martin, Venice 75, Venice Film Festival, La Biennale di Venezia, Orizzonti, Lars Von Trier, Matteo Garrone, Isaure Multrier
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Actress Behnaz Jafari with filmmaker Jafar Panahi in a still from '3 Faces'

Actress Behnaz Jafari with filmmaker Jafar Panahi in a still from '3 Faces'

The last of the Cannes Diaries 2018: When all else fails, you can find me at the movies

E. Nina Rothe May 28, 2018

It was the best of times, it was the worst of times. Actually, this edition of the Festival de Cannes turned out to be a missed opportunity, for media and juries alike to truly take charge of the #TimesUp movement and make of it a lasting course instead of a passing trend. Yes, there were stairs filled with women in pretty dresses, there were hotlines that we could call if we felt threatened or harassed, but ultimately the big prizes went to the big boys. As they have for every edition of the festival, except once, in 1993 when Jane Campion made history as the first and only woman to win the Palme d’Or. 

Yet personally, I loved Cannes more than ever this year. I had a soft place to fall, in the form of a wonderful group of friends I spent my free time with, eating dinners we cooked together and drinking our morning coffee back at our cozy apartment with one breathtaking view. I mean, just look at the Disney fireworks for 'SOLO: A Star Wars Story' display from our terrace!

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In Cinema, Festival, The Diaries Tags Cannes, Festival de cannes, Cannes Film Festival, Jane Campion, TimesUp, Palme d'Or, SOLO: A Star Wars Story, Nadine Labaki, DPA gift lounge, Nathalie Dubois Sissoko, Nandita Das, The National, Capharnaum, caramel, refugees, Amir Naderi, selfies, Asghar Farhadi, Marriott Hotel, Carlton Hotel, Jafar Panahi, 3 Faces, Iranian cinema, Arab cinema, Iran, Abu Dhabi Film Festival, Dubai International Film Festival, UAE Pavilion, DIFF, CNN, Inside the Middle East, Saudi Arabia, Italian cinema, Italy, Marco Bellocchio, Gianni Zanasi, La Lotta, Troppa Grazia, Lucia's Grace, Alba Rohrwacher, La Strada dei Samouni, Stefano Savona, Euforia, Valeria Golino, Dogman, Matteo Garrone, Alice Rohrwacher, Happy as Lazzaro, Lazzaro Felice, Italian politics
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Photo courtesy of Twentieth Century Fox

Photo courtesy of Twentieth Century Fox

The Berlinale Diaries: I Love Dogs -- AKA Wes Anderson's 'Isle of Dogs' is finally here (and not a moment too soon!)

E. Nina Rothe February 15, 2018

A movie festival is nothing without films and I kicked off my first full day at Berlinale by watching Wes Anderson's animated treasure 'Isle of Dogs' featuring puppets like you've never seen them before, beloved actors giving voices to fantastical dogs and a message of humanity hidden within a film that is so darn entertaining to watch, I may have to go back for seconds. Or thirds even. I know you've heard me talk like this before, but this time I mean it in a whole new and different way: If I went home today, I'd be happy, after watching 'Isle of Dogs'.

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In The Diaries, Cinema, Fashion, Festival Tags Wes Anderson, Berlinale, Berlin, film, Isle of Dogs, fashion, Zara, Gucci, Calvin Klein, Raf Simons, NYFW, Pitti Uomo, Atari, Margot Tenenbaum, street food, Eddielicious, Culinary Cinema, Dieter Kosslick, mexican food truck, Matteo Garrone, Dogman, Chinese Year of the Dog, Twentieth Century Fox, Fox Searchlight
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