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E. Nina Rothe

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The Diaries, because sometimes life needs more. 

A still from ‘Family Romance, Llc’ by Werner Herzog

A still from ‘Family Romance, Llc’ by Werner Herzog

The Cannes 2019 Diaries: Wondrous Werner Herzog, 'Papicha' is my new heroine and the life surreal of a film journo

E. Nina Rothe May 22, 2019

In ‘Family Romance, Llc’ Werner Herzog finds a new way to work through the difficulties life throws our way — outsource them to an agency specializing in family connections. He does it with his usual flair for our human ridiculousness and making the impossible seem real. During the junket following the screening, I loved listening to my esteemed colleagues’ confused explanations of stories they thought they’d seen like this one in documentaries, or even completely convinced this was a reality film, instead of fiction. And Herzog himself quite perfectly, calmly and smoothly shooting down each and all of their perplexed ideas.

‘Family Romance, Llc’ was a Special Screening at this year’s Festival de Cannes.

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In Cinema, Festival, The Diaries Tags El Gouna Film Festival, El Gouna Cannes boat party, Engineer Naguib Sawiris, Egypt, Arab cinema, DFI, Doha Film Institute, Werner Herzog, Papicha, Cannes Film Festival, Cannes Diaries, Festival de Cannes, Un Certain Regard, Special Screenings, helicopters, Nice Airport, Abu Dhabi, Intishal Al Timimi, Mounia Meddour, Fitzcarraldo, Amazon jungle, Family Romance Llc, Japan, outsourcing
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Sawsan Arsheed in a still from Soudade Kaadan's 'The Day I Lost My Shadow' 

Sawsan Arsheed in a still from Soudade Kaadan's 'The Day I Lost My Shadow' 

The Venice Diaries: Lion of the Future winner Soudade Kaadan's 'The Day I Lost My Shadow'

E. Nina Rothe September 9, 2018

'The Day I Lost My Shadow' by Soudade Kaadan won the Lion of the Future – “Luigi De Laurentiis” Venice Award for a Debut Film Jury at the 75th Venice Film Festival. It's a win to be celebrated for all women filmmakers, of course, but also for Syrian filmmakers who, since the start of the war in 2011 have all but disappeared. Scattered around foreign lands, their voices and visions have become the true casualties of this conflict. 

In her film, which world premiered at the festival in the Orizzonti section, Kaadan uses the metaphor of personal shadows as a way to show how the war strips people of their humanity and hope. When Sana, played by the beautiful Sawsan Arsheed, goes out looking for a gas canister so she can cook for her son, she is pulled into a three day nightmare that eventually ends the way everything ends in Syria... I'll leave that to your imagination and perhaps your first viewing of the film. 

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In Cinema, Festival, Interviews, The Diaries Tags The Day I Lost My Shadow, Soudade Kaadan, Amira Kaadan, Lion of the Future, Venice 75, Venice Film Festival, La Biennale di Venezia, Syria, Lebanon, Doha Film Institute, SANAD, Abu Dhabi, Damascus, Orizzonti, Sawsan Arsheed, Debut Film Jury, Luigi de Laurentiis
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